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Weifang kite-making was included in the national-level intangible cultural heritage lists(非物质文化遗产清单) in 2006. Known as the birthplace of kites, Weifang in Shandong province has a long h【小题1】 of making kites.

Yang Hongwei, 56, is an inheritor(传承人) of the Weifang kite-making skill. At the age of 16, Yang l【小题2】 the skill from her grandfather. After practising it hard for 10 years, she started her o【小题3】 shop in 1992.

“Many places around the world have a tradition of flying kites,” Yang said. “But I think the culture behind our kites is q【小题4】 different.” On Yang’s kites, people can see not only common shapes like butterflies, but also some paintings telling ancient Chinese stories and Chinese history.

For example, she once made a kite showing a phoenix(凤凰) head w【小题5】 paintings of 50 famous women in Chinese history on each side of the kite. A【小题6】 the idea was cool, it was not easy to make such a kite. Each woman was different in look, clothes and makeup style. She spent much time checking historical records or discussing the details with others.

“It takes too much time,” Yang added, “but when I e【小题7】 the stories on the kites to foreign customers, I feel a sense of great achievement.” In her spare time, she also travels to different c【小题8】 including Germany, Australia and the US to tell people about Chinese stories seen on kites and the traditional ways of making kites.“It is an important job to spread the heritage around the world,” she said.

2022·江苏盐城·三模
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I went to Beijing to study Chinese last year. I was excited about all the chances to improve my language skills and walking on 【小题1】 Great Wall. 【小题2】 (excite) thing of all is to eat real Chinese food! I still remember eating my 【小题3】 (one) jianbing, jiaozi and Peking duck. Each of them was amazing in its own way.

I knew that real Chinese food would be different from the Chinese food I had eaten in the USA. I couldn’t wait 【小题4】 (try) all the mouth-watering dishes that came up in my research about Chinese food. One of my favorites turned out to be hotpot (火锅).

My first-ever hotpot experience in Old Beijing was 【小题5】 (forget). As a first-timer, I 【小题6】 (move) by the waiters’ friendliness and their 【小题7】 (warm) of welcome. They tried their best to introduce all of the oils and spices (调味香料) to me.

Looking around, I found that everyone had their own favorite sauce combinations (酱料组合), ingredients and styles (食材和风格). Some would carefully put their ingredients into the hotpot one after another. Others would impatiently put whole plates into the bubbling (冒泡的) oil. I 【小题8】 (learn) a lot from the way people ate hotpot since last year.

When I went back to the USA. I decided to prepare a hotpot meal 【小题9】 my family. It allowed me to not only share the culture 【小题10】 I had learned about, but also offer others a chance to experience China like I had. It’s amazing that hotpot could bring so much to life!

Read the passage and fill in the blanks with proper words. (在短文的空格内填入适当的单词,使内容通顺,每空格限填一词,首字母已给)

What comes to your mind when you think of Beijing? The Forbidden City? Tian’anmen Square? The Temple of Heaven?

These f【小题1】 landmarks are all located along the central axis (中轴线). As the best preserved area of the old city of Beijing, the central axis is now under consideration for UNESCO’s World Heritage status.

The central axis means the ‘line’ that separates the e【小题2】 and western parts of Beijing. At 7.8 kilometers long, it runs from Yongding Gate in the south to the Bell Tower and Drum Tower in the north. Its building started in the Yuan Dynasty (1271-1368), and c【小题3】 in the Qing Dynasty.

The central axis is like the backbone (脊梁) of Beijing. It smartly arranged the palaces, temples, markets and streets in a【小题4】 times.

The central axis shows the traditional Chinese concept of ‘respecting the center’. This stressed the i【小题5】 of imperial power (皇权), as the royal palace would be in the central spot. Other important buildings were placed around it. For example, the Imperial Ancestral Temple was to the east of the Forbidden City, while the Altar of Land and Grain lay to the west.

The central axis also shows traditional Chinese i【小题6】 like harmony between man and nature (天人合一) and following order. It runs from the south to the north, the same as the d【小题7】 of a meridian (经线). The culture that started from the Zhou Dynasty (11th century-256 BC. stressed balance, symmetry (对称) and order. There are lots of symmetric buildings along the axis. The Forbidden City is the most well-known.

‘The unique and magnificent spatial order of Beijing was generated by this central axis,’ said an architect.

One cannot discuss Chinese music without mentioning the guqin, one of the four arts — along with go, calligraphy and painting. It first a【小题1】 over 3, 000 years ago and represents China’s solo musical instrument tradition.


       At first, the guqin had only five strings (弦), representing the five elements(元素) of metal, wood, water, f【小题2】 and earth. Later, in Zhou Dynasty, King Wen of Zhou added a sixth string for his son. King Wu of Zhou, added a seventh string to e【小题3】 his army to fight with the Shang.
        Ambience (环境氛围) was important in playing the guqin. Usually, it was practiced in a q【小题4】 place and never for public performance. Ancient artists e【小题5】 performing by a stream in the mountains. The sound of the guqin mixed with the echoes (回音) from the mountains, u【小题6】 the musician felt he was at one with nature. Playing it in the snow was also an enjoyable activity for ancient artists, who believed the instrument was the purest of its kind in the world. Also, a night with moonlight was c【小题7】 ideal for playing the guqin. Wang Wei (701-761), a highly talented man of the Tang Dynasty, liked playing it in a bamboo forest on nights w【小题8】 moonlight most.
        Guqin pieces are usually three to eight minutes long, with the longest being Guangling lerse, which is 22 minutes long. Other famous pieces i【小题9】 Plum Blossoms in Three Movements and Eighteen Songs of a Nomad Flute.
       Nowadays, there are f【小题10】 than one thousand well-trained guqin players and perhaps no more than fifty living masters. The original number of several thousand pieces has greatly reduced to only one hundred works by today.

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