For most of her life, Suanne Laqueur’s passion for storytelling was shown on the dance floor.
Although Laqueur began writing at a young age, dancing always took center stage. She majored in dance and theater at Alfred University and taught at her mother’s dance studio in Croton-on-Hudson, New York, for years. But when her mother was ready to retire and an opportunity opened for Laqueur to take over the studio, she realized she had no interest in taking on the business side of her art: “Owning a studio is a lot of work—financially, logistically. I love the teaching, the choreographing(编舞), the staging, but I didn’t want to own it.”
Yet Laqueur’s disinterest in running the studio changed when she became a self-published author. In the fall of 2013, she decided to pursue Self-publishing as a way of sharing her first completed novel with friends and family. During the process, she realized that following her true passion—telling stories through writing—made the business of the art worthwhile, and owning that business meant she could direct her writing career however she chose.
Starting with her second self-published novel, she began investing more time in marketing and building her audience. Her investment paid off. Since 2014, Laqueur, now 49, has self-published six novels, which collectively have hundreds of ratings and reviews on Goodreads. Her 2016 novel An Exaltation of Larks stole the show at the 25th Annual Writer’s Digest Self-Published Book Awards, topping more than 2,300 entries to win the grand prize.
“You have to write the most truthful story to you, and I think self-publishing allows that freedom,’ she says. “If you work with traditional publishing, it’s more about what’s marketable, There are trade-offs, which everyone will tell you, but by self-publishing I have control of the book, I have control of the story, and I’m cool with that.”
【小题1】From Paragraph 2,we can learn that Laqueur _______.A.was a part-time writer when she was young |
B.didn’t like teaching dancing in fact |
C.wanted to own a publishing house |
D.was interested in running her mother’s studio |
A.Her mother’s persuasion. | B.The desire to make money |
C.Self-publishing her novels. | D.Her own passion toward art. |
A.became a failure. | B.was shown to people. |
C.got all the attention. | D.was accidentally stolen. |
A.Self-publishing will replace traditional publishing. |
B.She will never use traditional publishing. |
C.Traditional publishing only focuses on the market. |
D.She enjoys the way of self-publishing. |
To reduce the spread of the pandemic (流行病), Corona Virus, our product manager has announced businesses to start working from home. For those who are working from home, dealing with this situation can be challenging.
Create a work area. Your first challenge is to pick a corner in the home and create a work-space that is perfect for work from home.
Learn technologies. It is important to learn technology for smoother communication. You can make use of Google Hangouts, Slack or other video tools for messaging.
Ensure proper lighting is there.
A.Be organized |
B.Create a private area |
C.Here’s how you can master it |
D.Certain apps can help you to organize the day |
E.Find out the right furniture and ensure it is comfortable |
F.These tools can help you to communicate with your co workers effectively |
G.It is important to choose that corner of the home where there is proper lighting |
“We are becoming the people we wanted to be,” Gloria Steinem, a journalist and social activist, declared in the 1970s. So have women really become the people they wanted to be? Yes.
One of the great changes in gender equality is taking place in education. More women graduate from high school, attend and graduate from college. In 1994, 63 percent of female high school graduates and 61 percent of male high school graduates were enrolled in college the following fall, according to the Pew Research Center. By 2012, that number for women jumped to 71 percent, but remained unchanged for males, at 61 percent.
The wage gap between males and females is still existing.
Even as more women are flooding onto college campuses, here’s a disappointing trend.
Is there any place women earn the same as men?
No. Unfortunately, there is no such place. But it can be to a woman’s advantage to work in a labor union.
Women bring home more income.
A.Education is specially significant for women. |
B.Women are taking higher education by storm. |
C.It is a fact that women climb higher in the work world now. |
D.An increasing number of women have joined the workforce. |
E.More than ever before, women are the breadwinners in the household. |
F.Today, 30 percent of all the businesses are owned and operated by women. |
G.Women who work in unionized professions make 82 percent of men’s incomes. |
In our magazine’s document room, from the June 1920 issue, I discovered a piece, What Editors Do, by Hazel Miller. What she talks about caught my eye: The first World War and its ending just two years before.
“During 1917 and 1918, when the World War was going, there was a huge demand for war material,” Miller writes. “Most magazines were carrying practically nothing but war stories. When the War ended in November, 1918, some editors still had a goodly supply of war fiction and articles—for which they had paid real money—on their hands, which most people by now are fed up with.”
Her words have stuck with me for the past 12 months as we’ve weighed which COVID-19 stories to run and which to hold. I’m writing these words with thick snow outside my window, but they will reach you in the green of spring. Will you be vaccinated(接种疫苗) and tired of reading about COVID-19 then?
We say writing is an art, and publishing is a business, but I worry we forget that publishing is also a gamble(赌博), Except for the immediate publication, everyone in the industry—agents, acquiring editors, magazine and journal editors, etc.—are betting on a story’s success in a future we cannot see. As is the nature of fortune telling, we are not so sure we will not occasionally lose: The 1920 editors sitting on a store of war stories no one wants, for example.
With so many factors outside your control, and so much uncertainty in the industry, isn’t it better to have stories written from the heart that you are truly enthusiastic about rather than some to please an ever-changing publishing market?
My future reader, it’s my hope that this issue finds you this spring doing just that: Writing the stories you need to tell—and the ones that will delight your own future readers for years to come.
【小题1】What does the writer probably do?A.A journalist. | B.An editor. | C.A librarian. | D.A historian. |
A.The First World War shouldn’t have ended too soon. |
B.Some editors would make a great fortune by storing war material |
C.In the post-war years, people still enjoyed reading about war. |
D.Too much war material had been stored by some editors. |
A.deciding which COVID-19 stories to publish |
B.writing during the winter months |
C.waiting for the green of spring |
D.expecting to be vaccinated |
A.To please the present publishing market. |
B.To learn the nature of fortune-telling |
C.To control as many factors as possible. |
D.To write from the heart for the future readers. |
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