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Easter Island’s large and mysterious stone statues(雕像) have made it world famous. These statues, whose likenesses look like humans with huge stone cylinders(柱状物) balancing on their heads like hats, have tourists coming from all over the world. The tourists come to see these works of ancient art carved by the early inhabitants of the island. They come to see the mystery that has puzzled historians for decades.

Easter Island is located in a remote part of the South Pacific Ocean about 2,300 miles west of Chile. Easter Island covers just 45 square miles and its Polynesian name is Rapa Nui.

On Easter Sunday 1722, a Dutch explorer named Jacob Roggeveen was the first European to see Easter Island. The early Polynesians carved the statues within the holes of the volcano using only stone tools. Then they moved these huge statues to various destinations throughout the island. These 600 statues range in height from 10 to 40 feet. Some of them weigh as much as 50 tons. How could the early Polynesians lift hundreds of heavy statues out of the volcano? How did they move them across the island to their various locations? All of these questions, as well as many others, remain unanswered.

The early islanders probably worshiped(崇拜) these eyeless giants until sometime around 1670. In 1680, a war broke out between two groups of islanders. The victors of the war and ancestors of the present inhabitants, broke down many of the statues. In most cases, they broke the necks of the statues.

Now 15 of the statues on Easter Island have been repaired to their original positions on their stone platforms. Even today, using modern tools and machinery, putting up such large statues and balancing cylinders on top of their heads presents a challenging task.

【小题1】What do we know about Easter Island?
A.It is a big island of Chile.
B.It is located in North Pacific Ocean
C.It was named after a Dutch explorer
D.Its early inhabitants were Polynesians
【小题2】Scientists are still uncertain about ______
A.why people built the statues
B.where people made the statues
C.how people transported the statues
D.how many statues there are on the island
【小题3】What happened in 1680?
A.Many statues were damaged
B.Another 15 statues were put up
C.People began to worship the statues
D.The islanders started a war against outsiders
【小题4】The purpose of the text is to ______
A.entertainB.advertise
C.informD.persuade
17-18高二上·辽宁·期中
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On Sept 7, famous Chinese archaeologist (考古学家) Fan Jinshi, 85, was awarded by UNESCO for her contribution (贡献) to the protection of the Mogao Caves in Dunhuang.

Called the “daughter of Dunhuang”, her story with the caves started 60 years ago. In 1963, Fan, then a 25-year-old Peking University graduate, had the chance to work at the Mogao Caves, a place she had wanted to explore for a long time.

“Seeing Dunhuang for the first time was breathtaking. But only when truly staying here did I realize that inside the caves is a world of divine (神圣的) beauty while outside is a land of blowing sand and yellow earth,” Fan told Gansu Daily.

Back in those days, the Mogao Caves were almost completely cut off from the world. Fan and her coworkers had to live in mud houses and drink salty water. They stayed inside the caves to do research, copy murals (壁画), and do whatever they could to protect and restore them.

In 2011, after 40 years of hard work, a report on 10 Mogao Caves compiled (编写) by Fan’s team was finally published. It was known as China’s first professional report on cave archaeology, reported Gansu Daily.

As time passed, Fan found a serious problem. The increasing number of tourists visiting Dunhuang might harm the caves, causing the murals inside to fade. A solution needed to be found to preserve (保护) Dunhuang’s heritage.

In the late 1980s, Fan stumbled upon computer technology by chance. She realized that this might preserve the Mogao Caves forever. After over 30 years of exploration, the Dunhuang Academy built a digital database to protect cultural relics (文物) there, allowing Dunhuang’s art to live forever and to step out of the caves to meet the world.

“In my whole life, I’ve only done one thing: protect and promote the world cultural heritage of the Mogao Caves,” she told People’s Daily. “My heart belongs to Dunhuang.”

【小题1】What can we learn about Fan from the article?
A.She began her work at the Mogao Caves at 23.
B.She is a woman of great determination.
C.Her health was affected by her hard work.
D.She studied archaeology at Nanjing University.
【小题2】What was Fan’s first impression of Dunhuang?
A.The environment was terrible.
B.It was an amazing place.
C.The working conditions were better than expected.
D.She felt a deep connection to the caves.
【小题3】What pushed Fan to establish a digital database for the Mogao Caves?
A.Her desire to promote Chinese culture.
B.Her interest in computer technology.
C.The need to document the restoration work.
D.The increasing threat to the physical caves.
【小题4】What does Fan think of her work in Dunhuang?
A.It has been her lifelong calling.B.It has won her recognition.
C.It has inspired many young people.D.It has promoted cultural exchange.

Wherever we go, we are surrounded by history. Across the globe, cultural heritage is passed down through the generations. It is in the buildings and structures around us. It is in the arts and artifacts (手工艺品) we treasure. It lives in the languages we speak and the stories we tell. But today, it is under attack as never before. Not only are the damages of time threatening our cultural heritage, but conflicts, climate change, globalization and tourism are all exacting a heavy price. Technology is now the most important weapon in the battle. Here’s how technology is preserving our cultural heritage.

As you can imagine, creating the replicas (复制品) by 2D images is extremely time-consuming. Increasingly, artificial intelligence(AI)algorithms (算法) allow millions of images to be stored in a matter of hours. AI will also make restoration and preservation of existing cultural heritage far easier and better than previous methods.

Virtual reality (VR) technology will play a leading role in preserving our cultural heritage in the coming years. Many of the most important sites and architecture are easily damaged. Human interaction with these locations is doing a great deal of harm. Wastes pile up everywhere, causing serious problems. As more cultural heritage sites and objects are digitally mapped and recorded, VR technology will increasingly become the way that people experience them. We’ll all finally be able to walk through places, look at (and touch) artifacts and works of art without ever seeing them with our own eyes.

Finally, our cultural heritage will be preserved by technology. Efforts in research, data sharing and project work will help promote and preserve the cultural heritage of countries all across the world.

【小题1】What does the underlined word “exacting” in paragraph 1 mean?
A.Cutting.B.Paying.C.Receiving.D.Demanding.
【小题2】What is the advantage of Al in preserving cultural heritage?
A.It generates 2D images.B.It makes preservation safer.
C.It makes restoration easier.D.It creates replicas in seconds.
【小题3】How does VR help to preserve cultural heritage?
A.By recycling huge amounts of waste.
B.By reducing human impact on the site.
C.By forbidding visitors from touching artifacts.
D.By educating people about the sites’ importance.
【小题4】What is the author’s attitude towards AI in cultural protection?
A.Favorable.B.Objective.C.Neutral.D.Disapproving.

NPC deputy from Gansu to advance suggestions for cultural relics protection

Xinhua

Updated: March 2, 2022

Su Bomin, a deputy to the National People’s Congress, also dean of Dunhuang Academy, has been working for three decades in the Mogao Grottoes, a UNESCO World Heritage site in Dunhuang, Northwest China’s Gansu province.

Since the start of his service as NPC deputy, Su has put forward a series of suggestions on the protection of cultural relics (遗迹). During this year’s “two sessions”, the annual sessions of the National People’s Congress and the National Committee of the Chinese People’s Political Consultative Conference, apart from working on the disciplinary construction of cultural relics protection, Su will also advance suggestions on facilitating the establishment of a key state research laboratory for cultural relics protection, aiming to merge the protection of cultural relics into the system of scientific and technological innovation and development.

“We regard the country’s emphasis on cultural relics protection as a great opportunity for our work,” said Su, “I hope cultural relics protection can be improved with the help of science and technology and the traditional Chinese culture will be better promoted.”


Su Bomin (R) checks the restoration of murals in the Mogao Grottoes in Dunhuang, Northwest China’s Gansu province.

【小题1】The news was updated on ______ .
A.April 4, 2021B.March 2, 2022C.January 18, 2022D.December 22, 2021
【小题2】What does the underlined word “restoration” in last paragraph probably mean?
A.collapseB.conflictC.recoveryD.interrupt
【小题3】From the passage, we can infer that ______ .
A.cultural relics protection is everyone’s responsibility
B.we can also protect cultural relics without science and technology
C.Su doesn’t make any suggestion on cultural relics protection
D.traditional Chinese cultural is beneficial to our future generations

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