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语法填空-短文语填 适中0.65 引用1 组卷102
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Born in Suzhou, Kunqu Opera distinguished 【小题1】(it)by its rhythmic patterns. It became 【小题2】(wide)popular during the Ming Dynasty. During the Mid-Autumn Festival in Ming and Qing dynasties, opera players often 【小题3】(gather)in Suzhou, staging dramatic works in ancient China. Combining tunes performed in the Suzhou dialect, graceful body movements, martial arts and dance, Kunqu Opera uses a variety of movements to express specific 【小题4】(emotion). It also pays attention to each difference. Graceful movements animate(使具有活力)the fingertips and unique tunes make 【小题5】 rich and poetic world.

Kunqu Opera had an important influence on many forms of operas in China, 【小题6】(include)Peking Opera, which is about200 years old. It is therefore known as the mother of all Chinese operas. As a 【小题7】 (tradition)representation of Chinese culture, stories 【小题8】(perform)in Kunqu Opera have gone beyond time and space. The Peony Pavilion, written by playwright Tang Xianzu, who 【小题9】(compare)to Shakespeare, is still loved by fans from around the world.

A living heritage is an endless dialogue between the present 【小题10】 the past, and Kunqu Opera is a carrier to pass that legacy on.

2024·福建福州·三模
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A 4D Chinese shadow puppet show (also called Piying Show or Piying Xi in Chinese language), staged at a shadow puppetry theater on its first day of business in Tengchong city, southwest China’s Yunnan Province, 【小题1】 (impress) the audience with a brand new immersive (沉浸式的) viewing experience on Oct. 3, 2022.

“It’s a novel show. I didn’t know shadow puppet shows could be enjoyed in such 【小题2】 amazing way. The 【小题3】 (combine) of Chinese culture and modern technologies is really eye-opening,” an audience member said after 【小题4】 (watch) the show.

【小题5】 traditional Chinese shadow puppet shows, during 【小题6】 puppeteers control shadow puppets to create the illusion of moving images on a cloth screen from behind, the innovative 4D show combined traditional Chinese shadow puppet performance with modern technologies including holographic projection (全息投影) technology and modern scene simulation technology.

“I want 【小题7】 (surround) the audience with the shadow puppets and let them feel they are a part of the show,” Liu Chaokan, a 30-year-old inheritor (继承人) of Chinese shadow puppetry and the brain behind the 4D Chinese shadow puppet show, told reporters.

Inspired by 4D movies, he came up with the idea of 4D shadow puppet show 【小题8】 has been making preparations for the show for nearly four years.

Born into a family with 【小题9】 (generation) of shadow play artists, as the sixth-generation inheritor of the shadow puppet performance skills of his family, Liu 【小题10】 (influence) by his family’s determination to carry forward the skills since he was young.

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The curtain had fallen on the show, but Zhou Jiamu, a high school student, was still immersed (沉浸在) in the storyline. Following performers as they travelled between different scenes and seeing them at 【小题1】 close distance throughout the process, Zhou felt as if she were part of the story.

The immersive drama Mists in Jiangzhou 【小题2】(perform) in a building built in 1941, in Yuzhong District, southwest China’s Chongqing Municipality. “It’s a unique 【小题3】(absorb) experience that allows one to watch the facial expressions and body movements of actors at their side, 【小题4】 sometimes, even to talk to the actors,” said Zhou. “【小题5】 it were not for this drama performance, there would be barely anyone visiting this more than 8-decade-old building,” said Liu Mingxi, 【小题6】( produce) of the drama.” It brings more than one change.   People 【小题7】(ordinary) only see cultural relics (遗迹) through a glass showcase, but now they can better know about this site through the drama.”

Also in Chongqing, a former printing factory, once 【小题8】(forget), now becomes an innovation center for artists. Chongqing 【小题9】(step) up efforts concerning the investigation and protection of its cultural relics over the past decade.   It is said that Chongqing will continue to strengthen the connection 【小题10】 the conservation of cultural relics and the development of technologies.

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