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The following is part of an interview between Professor Bernard Feringa (a Nobel Price winner) and a CNN reporter.

Q: You often say that universities should be playgrounds. How can we make sure that this is a case?

A: I’m a strong believer in challenging students at all levels — to think, to discover and to go beyond the current knowledge. The universities have a special role here, because academic training and science should go beyond the current horizon. I think that we shouldn’t forget that we shouldn’t train our students for today or tomorrow; we should train them for 10 to 20 years from now. Because then they will be the innovators in our society, and they will be the persons that make a difference. Train our students for future means that they have to be able to surpass the border of our current knowledge. This is what I mean with playground. I mean that you have sufficient space to think, to discover and to be free to make mistakes, but in particular to make the next steps, be creative and not limited by what should be done. A lot of things happen by accident and suddenly you get a major breakthrough or new insight. Schools should encourage students to ask questions and be creative.

Q: What is it that you like so much about teaching?


A: I really enjoy the transfer of the beauty of knowledge: insights, questions, things that we don’t know, or the limitations of what we know. I never get tired of my job. I think that you share with your students the opportunity to transfer some knowledge, but also get a lot of things back by asking questions and discussing. Across all fields, from natural sciences to humanities, you have knowledge and insights built upon generations and decades. At the universities we have to transfer a lot of knowledge and teach students the basic skills and techniques. But it’s also our duty to go beyond that — to ask them questions about what we don’t know and what improvements we can make for the future. Doing surgery in the hospital now might be taken over by robots in the future. How are we going to deal with that? Or will we be able to make fuel for airplanes? These are challenging and tough questions but to share those with the students is really nice. Most of all, I think the beauty of knowledge and the excitement of insights and discoveries is fantastic.
【小题1】What does the professor agree to?
A.Students are bound to surpass their present teachers.
B.Students are expected to be different future citizens.
C.Students are supposed to have more academic training.
D.Students should definitely be encouraged to be challenged.
【小题2】What does “plavground” mean to Bernard Feringa?
A.An area for physical activities.B.An area for extra-curricular experiments.
C.An area for bold exploration.D.An area for academic improvements.
【小题3】Which saying can best describe the reason for the professor’s devotion to teaching?
A.He who teaches learns.B.Work makes a workman.
C.Never too old to learn.D.Truth never fears investigation.
【小题4】How can you describe Professor Bernard Feringa?
A.Respectable and reliable.B.Innovative and devoted.
C.Generous and sharp-minded.D.Independent and professional.
2024·浙江·二模
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Joan Chen is famous both in China, where she grew up, and in the United States, where she now lives. How did Joan become a famous actress in two countries? It’s an interesting story.

Joan Chen was born in Shanghai in 1961. When she was 14, some people from a film studio (制片厂) came to her school and chose her to study at the studio. She was happy about this chance, but mainly she liked the idea of getting out of school. Soon, however she discovered that she really liked acting. At age 18, she won the Golden Rooster, China’s top film prize.

In the late 1970s, Joan’s parents, who were doctors, moved to the United States. Joan joined them when she was 20 and went to college there. Her parents hoped she would study medicine. Instead, she majored in film and later looked for work as an actress. To work in the United States, Joan had to start all over again. She told Hollywood that she was an actress in China, but she only got some small parts in TV shows.

One day Joan went to speak to a director who was making a movie called Tai-pan. The interview didn’t go well. As she walked away, a man in a car noticed her. The man was Dino DeLaurntiis, the film’s producer. He immediately offered her a leading part. A year later, she started in Bernardo Bertolucci’s. The Last Emperor and was on her way to worldwide fame.

【小题1】Where did Joan Chen grow up?
A.In China.B.In the United States.C.In Beijing.D.Abroad.
【小题2】When did she move to the States?
A.In the late 1970s.B.After she graduated from college.
C.In the late 1980s.D.In the early 1980s.
【小题3】The interview with a director _______.
A.made her on the way to being famous in the world
B.led to no immediate good result
C.made her play a leading part in Tai-pan
D.gave her a chance to act in The Last Emperor
【小题4】What is the best title for the text?
A.A famous actress—Joan ChenB.How to become an actress
C.Joan’s life in both China and AmericaD.Joan’s movies

A Midsummer Night’s Dream may be one of Shakespeare’s most performed plays—but its latest version from the Royal Shakespeare Company will be unlike any seen before. Titled Dream, the 50-minute online production will let audiences remotely guide the leading character Puck through a virtual forest.

In 2016, the Royal Shakespeare Company’s production of The Tempest used high-tech to create a 3D digital image that was projected above the stage. The difference this time is that everything in the play—the performers and their surroundings—will be shown virtually.

Seven actors will perform in a specially-built studio. They will be surrounded by a 360-degree camera set, made up of 47 cameras with every movement almost immediately presented digitally, which is presented to viewers online. With its much-reduced characters, Dream is not a complete production of A Midsummer Night’s Dream, rather, it is a story inspired by it, focusing on Puck and the fairies (精灵).

Up to 2,000 audience members for each performance can become part of the show and will be invited to guide Puck through the forest. On screen, the chosen audience will appear as a cloud of tiny fireflies (萤火虫). By using their mouse or finger on the screen of a smart device, they will be able to move their firefly across the screen, and Puck will be at their beck and call to go through the virtual space. For viewers watching at home, the virtual fairies moving through a digital forest will look more like a video game than the average Royal Shakespeare Company show.

“Without the fireflies—the audiences—Puck wouldn’t be going anywhere,” said E.M. Williams who plays the role. “The audiences are very much the fuel and the energy of the show.”

【小题1】What makes Dream different from The Tempest?
A.The number of actors and actresses.B.The surroundings around the performers
C.The 3D digital image it chooses to show.D.The way it presents everything in the play.
【小题2】What does Paragraph 3 mainly talk about?
A.Leading characters of the play.B.Audiences’ opinions on the play.
C.The play’s production process.D.The inspiration for the play.
【小题3】What does the underlined part “be at their beck and call” in Paragraph 4 probably mean?
A.Be ready to follow their order.B.Be happy to receive a call.
C.Be difficult to control.D.Be willing to guide them.
【小题4】What do E. M. Williams’ words in the last paragraph show?
A.The cost of the show.B.The pleasure of the audiences.
C.The task of the leading character.D.The importance of the audiences.

Cinderella

23 November—31 December

Description

Welcome to Brixton Lane! Forget the glass slipper or the pumpkin carriage this Christmas; join Sindi-Ella in this reimagined tale of Cinderella full of magic, music… and home-grown vegetables!

Just like her Dad, Brixton’s most beloved greengrocer, Sindi-Ella will do anything to keep the family business open… including growing her own produce. It’s a welcome distraction from the disorder of growing up and feeling sad for the loss of her father… not that Sindi wants to talk about that…

Stuck with her stepmom and her hating stepsister, Sindi’s only got her trusty plant to talk to. Until a chance meeting with Charmz, Brixton’s biggest influencer, sparks something unexpected…Charmz is sick of living the life online and is looking for a meaningful connection. What better way than to host a party? When Sindi and Charmz meet, the spark is immediate. But with trouble at home, can Sindi make it to the ball? Perhaps her loyal houseplants can help.

Family Ticket Deal

Get 15% off a family ticket deal when booking a minimum of 1 adult and 2 children and a maximum of 5 child tickets. Simply add your tickets to the basket when booking online, and your discount will be automatically applied.

Standard (Band C)

First performance (Band A)

First performance (Band B)

Balcony (Band D) *partially limited view

Children (under 16’s)

Nov. 23—24 (Private showing)

£16 (favorable price)

£28

₢24

£15

£15

Nov. 25 & 28 (Press Night)

£24

£32

£28

£15

£15

Nov. 29—Dec. 31

£30

£34

£30

£15

£15

【小题1】What does the family business mean to Sindi-Ella?
A.A chance to seek her fortune.B.A way to escape the troubles in life.
C.A burden to carry in her own life.D.A sense of social responsibility.
【小题2】How can you get discounted family tickets directly?
A.By putting them in the online basket.B.By donating some vegetables.
C.By buying at least two tickets.D.By purchasing them on the spot.
【小题3】What will you enjoy if you choose Band B on Dec. 31?
A.The favorable price.B.The private showing.
C.The partially limited view.D.The first performance.

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