I feel it important for families to have regular meals together. One of my best childhood memories was dinner with my parents and two sisters. As a result, last year I decided that the entire family would have dinner together three days a week. Because my husband and I both work and our three kids are busy with school activities, we could hardly have a chance to get together as a family. But we thought it possible for everyone to set aside three evenings a week for a sit-down dinner.

First we tried setting three fixed days for our experiment Mondays, Wednesdays and Fridays. After trying the plan some weeks, almost everyone was unhappy. Then my son had the idea of having everyone post his or her schedule for the week on the fridge every Sunday. I would choose the three best days.

For a while, the kids continued to resist (抵触) the idea, saying they would rather spend the time with their friends or joining in sports or other activities, But with time going on, they began to see these evenings together positively. We discussed each other’s, problems. We made vacation plans. We laughed a lot. Months later, anyone who had to miss a family meal felt regretful.

We all now feel that we’ve been able to build stronger relationships within the family and communicate better. The idea of having regular family meals together, which seemed difficult at first, has brought about many positive changes in our lives.

Close to a century ago, New York’s Coney Island was famed for its sideshows (杂耍). Eye-catching signs crowded the island’s attractions, showing off circus shows, sword swallowers—and even an exhibition of tiny babies.

The babies were premature ones kept alive in incubators (婴儿保育箱) pioneered by Dr. Martin Couney. The medical establishment had rejected his incubators, but Dr. Couney didn’t give up on his aims. Starting in 1896, he funded his work by displaying the babies and charging 25 cents to see the show. In return, parents didn’t have to pay for Dr. Couney’s incubators, and many children survived who would never have had a chance otherwise.

Born in 12, Lucille Horn ended up in an incubator on Coney Island. She’d been born a twin, but her twin died at birth. And the hospital staff told her father that there wasn’t a chance she’d live. “It was just: You die because you didn’t belong in the world,” Horn says. But her father refused to accept that answer. He grabbed a blanket to wrap her in, called a taxi, and took her to Coney Island—and to Dr. Couney’s infant (婴幼儿) exhibit.

Years later, Horn decided to return to see the babies—this time as a visitor. When she took the opportunity to introduce herself, Dr. Couney went over to a man who was uneasily looking at his small infant. “Look at this young lady,” Dr. Couney told the man. “She’s one of our babies. And that’s how your baby’s gonna grow up.”

Horn was just one of thousands of premature infants that Dr. Couney cared for and displayed at amusement parks until the 194s. He died in 1950, shortly after incubators like his were introduced in most hospitals. At the time, Dr. Couney’s efforts were largely unknown—but at least one person will never forget him. “Ninety-six years later, here I am, all in one piece. And I’m thankful to be here,” Horn says.

Iggy Azalea doesn't look like a rapper (说唱乐歌手).On May 17, she attended the 2015 Billboard Music Awards in Las Vegas, US, with pink hair and a blue coat. She looked like a model, but won big as a rapper. The Australian beat out big names like Nicki Minaj and Drake to win the award for Top Rap Artist.

It's a great achievement in many people's eyes, but Azalea knew what she wanted from the beginning. At 15 she dropped out of high school because she was only interested in art classes. She worked as a house cleaner to save money for her dream the following year. Before her 16th birthday, Azalea left her home, a tiny town in Australia, for the US, making up her mind to become a rapper. Moving from Miami to Houston to Atlanta, she started rapping in the Southern-style accent of her surroundings and her single Ignorant Art came out in 2011.From then on, she never looked back.

However, her style has caused lots of discussions. She might be one of the most polarizing artists. She raps with a southern American accent, even though she speaks with an Australian one. Many people say that she overuses black culture in her music.

Her supporters are against it. Female American rapper MC Lyte defended (为……辩护)Azalea in an interview, saying she should not be judged because of where she's from. "Hip hop is universal (全世界的), and has no color line, "MC Lyte said. Azalea herself is proud of her music. "I really want to be focused on what I'm doing, "she said in an interview." That's really dangerous when you're trying to figure out ways to entertain people and make them happy. I don't want to be a part of that."