The following four famous paintings—from Jan van Eyck’s portrait to Pablo Picasso’s masterpiece—have stood the test of time.

The Arnolfini Portrait

The Arnolfini Portrait of Jan van Eyck, an oil painting on wood produced in 1434, in which a man and a woman hold hands with a window behind him and a bed behind her, is undoubtedly one of the masterpieces in the National Gallery, London. This painting is as visually interesting as it is famed. It is also an informative document on fifteenth-century society, through Jan van Eyck’s heavy use of symbolism—while husbands went out to engage in business, wives concerned themselves with domestic duties.

The Starry Night

During his 12—month stay at the mental hospital near Saint-Rémy-de-Provence, France between 1889 and 1890, Vincent Willem van Gogh painted The Starry Night, an oil on canvas(帆布), a moderately abstract landscape painting of an expressive night sky over a small hillside village. When the Museum of Modern Art in New York City purchased the painting from a private collector in 1941, it was not well known, but it has since become one of Van Gogh’s most famous works.

The Harvesters

The Harvesters is an oil painting on wood completed by Pieter Bruegel the Elder in 1565. It depicted the harvest time which most commonly occurred within the months of August and September. Nicolaes Jonghelinck, a merchant banker and art collector from Antwerp, commissioned this painting. The painting has been at the Metropolitan Museum of Art in New York City since 1919.

Guernica

Guernica, a large black-and-white oil painting, was painted by the Cubist Spanish painter, Pablo Picasso in 1937. The title “Guernica” refers to the city that was bombed by Nazi planes during the Spanish Civil War. The painting depicted the horrors of war and as a result, has come to be an anti-war symbol and a reminder of the tragedies of war. Today, the painting is housed at the Museo Nacional Centro de Arte Reina Sofia in Madrid.

A Canadian addicted to Chinese ink wash painting

Canadian Brandon Collins-Green calls himself a Chinese culture “addict”. He has lived in China for over six years, spending his time in painting in the Chinese ink wash style and translating Chinese classics into English.

Collins-Green, 37, is a doctoral candidate in classical Chinese literature at Jiangxi Normal University in Nanchang. About 15 years ago, his first encounter with a stage adaption of the classic Chinese novel The Dream of the Red Chamber in Singapore inspired him to study Chinese in the following years. Learning Chinese as a second language, Collins-Green found it was not easy to understand a novel written in Chinese. “Besides the stories, I am interested in the poems, dialogues and lantern riddles in the book,” he said, “Because of The Dream of the Red Chamber, I wanted to get a closer look at China.”

His strong curiosity about China and Chinese culture prompted Collins-Green to travel to the city of Nanchang in 2015, in the hope of learning what the real China was like. During a visit to Badashanren Memorial Hall in Nanchang, where paintings of a famous Chinese artist were on exhibition, Collins-Green was interested in how a tiny brush could depict (描画) the curves of hills, shade and light on paper.

In his years spent translating The Dream of the Red Chamber into English, he has gradually found his way of combining Chinese and foreign cultures into his paintings, writing poems in English as the backdrops of his figures. As of this year, Collins-Green has completed over 2,500 works, including translations of The Dream of the Red Chamber, landscape paintings and portraits.

He lives a life greatly influenced by The Dream of the Red Chamber, renting a loft of about 9 square meters beside his university as a studio. Since this March, his paintings have been exhibited at art festivals in cities including Beijing, Shanghai, Hangzhou and Xi’an, bringing him a group of fans. Some have sent him emails, asking about the meanings of the poems in his paintings.

“We can see from Collins-Green that traditional Chinese culture is becoming more attractive to people in other countries,” said Li Shunchen, Collins-Green’s mentor at Jiangxi Normal University. “I really recommend that more people come to China to see how fast it is changing and to enjoy the charm of its culture,” Collins-Green said.

Rembrandt Harmenszoon was born in the Netherlands in the city of Leiden. There were six children in his family. His parents wanted him to get a good education and provided opportunities for him to study with successful painters. Among them was the famous painter, Pieter Lastman in Amsterdam.

Rembrandt was very talented and studied with Lastman for six months and then moved back to Leiden and began to teach other artists even though he was only 22 years old.

Sometimes he used members of his family as models. His father was the subject of Bearded Man in Furred Oriental Cape and Robe. His son Titus is seen in Titus at His Desk, and Prodigal Son in the Tavern features Rembrandt and his wife Saskia.

One of his most famous paintings is Nightwatch which shows a group of men in their military uniforms. A war had recently ended in the country and the men were dressed up for a military practice. Nightwatch was a controversial(有争议的) piece. Some of the people in the painting were not pleased with the results because they did not have a prominent(突出的) place in the picture. When Rembrandt painted it, the colors were bright, but it became clouded with smoke and dirt and eventually became known as Nightwatch. In this painting we see Rembrandt’s use of light and shadow which makes his work so distinctive.

This great Dutch artist was very productive and popular with people. He enjoyed painting   pictures of Bible characters and scenes of Bible stories. During his lifetime he produced over 600   paintings. You can see his paintings in museums and galleries all over the world today.