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Almost everything inspired the ancestors of Chinese to create diverse decorative patterns on objects ranging from daily life needs to pure artworks. They carried good and lucky 【小题1】(mean) and were possessed of high value, driving numerous people to protect them. However, the huge number of these decorations increases the difficulty of conservation efforts. Fortunately, many Chinese artists have been considering various ways to pass down this culture 【小题2】 the next generation. Huang Qingsui, 【小题3】 Zhuang ethnic art designer, numbers among these artists. He started collecting decorative patterns from rural areas and recorded them in an online database in 2013 that now 【小题4】(contain) more than 20,000 traditional decorations.

Managing the database consists of three steps. The first is collecting these traditional patterns through various channels, including investigating and visiting places where these decorations may have been passed down or 【小题5】(contact) museums and experts. After tracking down a decorative pattern, Huang and his team fake photos and 【小题6】(digital) reproduce the patterns on computer. During the process, they often need to restore damaged patterns, especially 【小题7】 it comes to decorative patterns on clothing because they tend to be faded or misshapen. The last step involves collecting the data and checking and correcting any mistakes 【小题8】 may have occurred during the earlier steps.

The beauty 【小题9】(hold) in traditional patterns has inspired Chinese designers to find 【小题10】(they) own style and emotional bonds instead of just caring about function and form when designing their works.