“It is the honor of a lifetime to repair precious ancient works, “says Hou Xue, a representative inheritor (继承人) of the state-level intangible cultural heritage of producing gold-inlaid lacquerware (金漆镶嵌).
Hou majored in art and design at the North China University of Technology. At that time, he hoped to find a job in a newspaper as an art editor. But, as chance would have it, he met Bai Qun, the inheritor of the craft of gold-inlaid lacquerware, who invited him to visit an exhibition of palace arts. Elegant works there appealed to Hou, and more importantly, he was surprised and deeply impressed by the extremely beautiful craftsmanship. Hou was so impressed, that when Bai asked whether Hou would like to learn this craft and start a career, he nodded without hesitation.
At Bai’s recommendation, Hou formally joined Beijing Gold Lacquer Inlaid Co. Ltd. in 2009. Every day, he got up at 4 a. m. in order to be at work by 8 a. m. , and took a bus to go back to his dormitory in the evening. In summer, it was very hot in the workshop, while in winter, it was freezing. From 2014 to 2016, he worked in the Palace Museum, focusing on protective restoration (修复) and replication (复制) work. Through several years of devoted study and practice, Hou has won many honors and titles.
In early 2022, the company joined hands with other local museums to launch handcrafted watches. The highlight of these watches lies in their appearance, which combines Po-phase flowers, highly favored in the Tang Dynasty, and the artistic concept of Maurits Cornelis Escher, a famous Dutch printmaker. The watch was soon sold out after being put on the market. Hou was thus inspired by this experience. “Excellent intangible cultural heritage works are not those thrown into museums for exhibition, but those that live up to modern aesthetic (审美的) level and modern life, “he said .
Hou said that he gauges an intangible cultural heritage item by the value it produces and the profits it brings. “If consumers are not interested in such works and inheritors can’t earn a living by doing the job, then these works have no value and the inheritance is worthless,” he added.
【小题1】What changed Hou’s career choice?| A．Bai Qun’s suggestion. |
| B．His parents’ expectations. |
| C．A visit to an exhibition of palace arts. |
| D．His desire to spread Chinese traditional culture. |
| A．The efforts bear fruit. | B．Well begun, half done. |
| C．A miss is as good as a mile. | D．Failure is the mother of success. |
| A．The handcrafted works will enjoy broad market prospects. |
| B．The aesthetic level of the Tang Dynasty has been outdated. |
| C．The value of these watches depends on the profits they create. |
| D．Good intangible cultural heritage works are combined with modern life. |
| A．protects. | B．designs. | C．measures. | D．displays. |
