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In China, jade (玉) serves as one of the nation’s oldest symbols of virtue and nobility. For years, jade carvers have produced beautiful artworks, because of their exquisite skills and complicated techniques passed down from generation to generation. Among China’s wide-ranging styles of jade carving, Beijing’s is one of the most famous and recognized worldwide for its use of imperial (皇家的) elements.

Jade carving originated in the Yuan Dynasty. In the succeeding dynasty, the Ming, the court gathered skilled jade carvers from all over the nation to create the finest of products for the imperial family, lifting the art to new heights. During the Qing Dynasty, jade became especially popular in Beijing, and the carving skill reached its peak. After the Qing, the craft continued to flourish, with thousands of people pouring their creativity into the jade carving industry. In 2008, Beijing’s particular practices were listed as national intangible cultural heritage.

Zhang Tiecheng is a third-generation Beijing jade carving inheritor (继承人). In 1983, when the technical school attached to the Beijing Jade Factory began to enroll students, Zhang decided to try his luck. After four years of training, he graduated and started working at the factory. Through pure diligence and perseverance, he gradually became a master of the carving art. The year 2008 was a significant one for Zhang. Chinese jade art was introduced internationally through the “Chinese Seal” Olympic symbol and the jade-carved medals. Zhang participated in the design of both. They combined white jade with gold, a light greenish jade with silver, and a gray shade of jade with bronze to make the medals present that perfect combination of truthfulness and virtue.

Following his Olympic work, Zhang was invited to restore (修复) the jade decorations in the Palace Museum. During this assignment, Zhang couldn’t help but feel sad as he realized how the once successful jade artistry was slowly disappearing from its once celebrated stage. As an inheritor of Beijing jade carving, Zhang has added modern artistic elements into this traditional skill. He now hopes more young people can take up the craftsmanship so it can continue to flourish (繁荣)) for many years to come.

【小题1】What is special about Beijing jade carving?
A.It involves many royal elements.
B.It shows the life of people in Beijing.
C.It is the most popular jade carving in the world.
D.It covers all the styles of jade carving in China.
【小题2】What does paragraph 2 mainly tell us about jade carving?
A.Its role in China.B.Its value of appreciation.
C.Its carving process.D.Its history.
【小题3】What can we infer from paragraph 3?
A.Master Zhang has great talent for jade carving.
B.Chinese jade culture has been combined with modern sports events.
C.Zhang’s design of Olympic medals won lots of awards.
D.The jade-carved medals were greatly admired by foreign athletes.
【小题4】What does Zhang Tiecheng worry about?
A.The design of art forms.B.The inheritance of the traditional skill.
C.The benefits of the jade industry.D.The restoration of jade works.
22-23高二上·四川遂宁·阶段练习
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Many of China’s ancient buildings were in danger of being destroyed before Lin Huiyin and Liang Sicheng started to document them in the 1930s. The husband and wife team were among the first people to work on preserving these buildings in China, and they are also the most well-known. Their efforts have inspired generations of people to speak out for architecture that is threatened by rapid development.

Becoming China’s best architectural historians was not an easy task. The buildings they wanted to save were centuries old and often located in distant parts of the country. In many cases, they had to travel through dangerous areas in the Chinese countryside to reach them. During the 1930s, exploring remote areas in China meant traveling on muddy, poorly maintained roads by mule or on foot. Inns(客栈) were often dirty, food could be polluted, and there was always a risk of violence from rebels, soldiers, and robbers.

Their greatest discovery was the Temple of Buddha’s Light in Wutai County, Shanxi Province. The breathtaking wooden temple was rebuilt in 857 A. D. , making it the oldest building known in China at the time.

Liang and Lin crawled into the temple’s most forbidding, forgotten areas to determine its age. One area they explored was inhabited by thousands of bats and millions of bedbugs, covered in dust and littered with dead bats. “In complete darkness and among awful smell, hardly breathing, with thick masks covering our noses and mouths, we measured, drew, and took pictures with flashlights for several hours. When we finally came out to take a breath of fresh air, we found hundreds of bedbugs in our bag. We ourselves had been badly bitten. However, the importance and unexpectedness of our find made those hours the happiest of my years hunting for ancient architecture.” Liang wrote about this experience in a book called “Liang and Lin: Partners in Exploring China’s Architectural Past”.

【小题1】What was the main reason for Lin Huiyin and Liang Sicheng to document ancient buildings in China?
A.To preserve them from destructionB.To inspire young generations
C.To gain fame as architectsD.To study their historical significance
【小题2】What were the biggest challenges they faced during their explorations in the 1930s?
A.Road conditions and funds.B.Transport and accommodations.
C.Personal safety and weather.D.Communication with locals and food.
【小题3】How did Liang describe his experience exploring the Temple of Buddha’s Light?
A.It was a pleasant and easy task.
B.It was a waste of time and effort.
C.It was a dangerous and unpleasant task.
D.It was an important and unexpected discovery.
【小题4】Which of the following is a suitable title for the text?
A.Tough Conditions in China’s Remote Areas
B.The Reason for Liang and Lin’s Exploration
C.Partners in Documenting China’s Architectural Treasures
D.The Difficulties China’s Architectural Historians Are Facing

Cultural heritage is a symbol of the history, traditions and culture of a country, but through various causes like wars and natural disasters, there are many properties of precious tangible and intangible cultural heritage which are currently placed at risk. International cooperation to protect cultural heritage not only shows respect for the cultures of others, but also creates a stable foundation for the international community. Accordingly, Japan’s Ministry of Foreign Affairs has been concentrating on that as one of the pillars its diplomatic (外交的) policy.

For tangible cultural heritage, Japan is taking part in the international system of protection established through the World Heritage Convention. It has also been donating money for the protection of the historic ruins and buildings in various countries through the Japanese Funds-in-Trust for the Preservation of the World Cultural Heritage set up through UNESCO, and by employing the excellent repair skills developed in Japan.

For intangible cultural heritage, Japan began well-developed domestic efforts for their protection with the establishment of the Law for the Protection of Cultural Properties in 1950, far ahead of other countries. Since then, it has been using the knowledge that it gained through that experience to take a leading role in the creation and enforcement of the Convention for the Safeguarding of the. Intangible Cultural Heritage. In addition, Japan has also been financially supporting the conservation of traditional dances, music, and craftsmanship in various countries through the Japanese Funds-in-Trust.

Cultural diplomacy may take a long time to yield results. Nevertheless, Japan believes the support for the cultural heritage is the pride of people in a nation which touches the hearts of people directly. This kind of aid does not stop with just material but also conveys Japan’s knowledge, skills and heart, which can bring about a great long-term benefit.

【小题1】What does-the underlined word “that” in paragraph 1 refer to?
A.Building an international community
B.Creating a stable foundation for the world.
C.Showing respect for the cultures of other countries.
D.Cooperating with other countries for cultural heritage.
【小题2】How does Japan help protect both tangible and intangible cultural heritage?
A.Donating money.B.Using repair skills.
C.Making relevant laws.D.Setting a good example.
【小题3】Why is Japan positive about protecting cultural heritage in other countries?
A.It helps to sell of Japan’s skills.
B.It brings about immediate benefits.
C.It advances international relationship.
D.It strengthens the national pride of Japanese.
【小题4】Which of the following is a suitable title for the text?
A.Japan’s Cultural Heritage at Risk
B.Japan’s Cultural Diplomatic Policy
C.The Benefits of Cherishing Culture
D.The Classification of Cultural Heritage

When a fire broke out at Notre Dame Cathedral (巴黎圣母院) in April 2019, people across the globe watched in despair as smoke rose from one of the world's most famous buildings. 【小题1】Several museums, palaces and other cathedrals have been damaged or destroyed by fire. Without proper protection measures, fires will continue to destroy them.【小题2】

Recognize the challenge of protecting cultural buildings.

Often built decades or centuries ago, many cultural buildings are constructed with flammable (易燃的) materials and the articles within them are also composed of such materials. 【小题3】 Thus many modern fire protection measures are viewed as damage. The absence of these measures planted seeds of ruin.

Find out proper protection methods.

These buildings and their contents are very sensitive to smoke, humidity and dust. They require specialized methods that could cause little damage. Meanwhile, some stone structures, which trap heat and smoke, make it difficult for firefighters to get to the source of the flame.【小题4】One of them is fire compartmentation (防火分区). It uses fire wall barriers to help limit the spread of fire, which will protect the buildings from burning without damaging them.

【小题5】

Some countries have installed fire protection equipment but can't take action soon enough. Given this, the Brazilian government completed a project to adopt advanced electrical waning system and to inform firefighters of fires in no time, which would urge them to take immediate action to stop the fire spreading.

A.Take action quickly.
B.Improve the protection equipment
C.Sadly, it was not a specific example through the years.
D.Fortunately, firefighters came just in time to put out the fire.
E.So here are some suggestions to help save them from burning.
F.Besides, many buildings are under repairs and need to keep their original features.
G.However, some traditional strategies of fire protection for such buildings are effective.

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