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Before the age of the smartphone, photographers had to learn how to use high-tech cameras and photographic techniques. Not everyone had cameras, and it took skill and a good eye to capture and create a great photograph. Today, with the huge range of camera apps on our smartphones, we’re all amateur photographers, and pretty good ones at that, since the quality of smartphone images now nearly equals that of digital cameras.

The new ease of photography has given us a tremendous appetite for capturing the magical and the ordinary. We are obsessed with documenting everyday moments, whether it’s a shot of our breakfast, our cat or the cat’s breakfast. And rather than collect pictures in scrapbooks, we share, like, and comment on them with friends and strangers around the globe. Even photojournalists are experimenting with mobile phones because their near invisibility makes it easier to capture unguarded moments. And the Internet allows them to avoid traditional media, to act as their own publishers reaching huge audiences via social media sites such as Instagram. A photograph taken in New York can get a response from someone in Lagos within seconds of being uploaded.

In the past, magazines published unforgettable photos of important people and global events that captured our imaginations. These photos had the power to change public opinion and even the course of history. But if there are fewer memorable images today, it’s not because there are fewer good images. It’s because there are so many, and no one image gets to be special for long.

As people everywhere embrace photography and the media make use of citizen journalists. professional standards appear to be shifting. Before digital images, most people trusted photographs to accurately reflect reality. Today, images can be altered in ways the naked eye might never notice. Photo journalists are trained to accurately represent what they witness. Yet any image can be altered to create an “improved” picture of reality. The average viewer is left with no way to assess the accuracy of an image except through trust in a news organization or photographer.

The question of the accuracy of images gets even trickier when photojournalists start experimenting with camera apps - like Hipstamatic or Instagram—which encourage the use of filters(滤镜). Images can be colored,brightened, faded, and scratched to make photographs more artistic, or to give them an antique look. Photographers using camera apps to cover wars and conflicts have created powerful images—but also controversy. Critics worry that antique-looking photographs romanticize war, while distancing us from those who fight in them.

Yet photography has always been more subjective than we assume. Each picture is a result of series of decisions—where to stand, what lens to use, what to leave in and what to leave out of the frame. Does altering photographs with camera app filters make them less true? There’s something powerful and exciting about the experiment the digital age has forced upon us. These new tools make it easier to tell our own stories - and they give others the power to do the same. Many members of the media get stuck on the same stories, focusing on elections, governments, wars, and disasters,and in the process, miss out on the less dramatic images of daily life that can be as revealing.

Who knows? Our obsession with documentation and constantly being connected could lead to dramatic change in our way of being. Perhaps we are witnessing the development of a universal.

Who knows? Our obsession with documentation and constantly being connected could lead to dramatic change in our way of being. Perhaps we are witnessing the development of a universal visual language, one that could change the way we relate to each other and the world. Of course, as with my language, there will be those who product poetry and those who make shopping lists.

【小题1】According to the author, there are fewer memorable photographs today because ________.
A.the quality of many images is still poor
B.there are so many good images these days
C.traditional media refuse to allow amateur photos
D.most images are not appealing to a global audience
【小题2】The author put the word “improved” in quotation marks in order to ________.
A.indicate it’s a word cited fro m another source
B.stress that the picture of reality is greatly improved
C.draw audience attention to a word worth considering
D.show it’s arguable whether the picture is truly improved
【小题3】Which of the statements does the author most likely agree with?
A.The daily life pictures are very expressive themselves.
B.Photographs of the digital age are more subjective than before.
C.Photos altered by filters of camera apps are too subjective to be true.
D.Many members of the media value daily life images over major social events.
【小题4】What may be the best title for the passage?
A.Camera Apps Bury Authenticity
B.Photography Redefined: A Visual Language
C.S mart-phone: Killer of Professional Photography
D.The Shifting Standards of Professional Photography
20-21高一上·上海·开学考试
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The number of devices you can talk to is multiplying—first it was your phone, then your car, and now you can boss around your appliances. Children are likely to grow up thinking everything is alive, or at least interactive. One app developer told The Washington that his son started talking to cup mats. But even without chatty devices, research suggests that under certain circumstances, people personify everyday products.

Sometimes we see things as human because we’re lonely. In one experiment, people who reported feeling isolated were more likely than others to attribute free will and consciousness to various devices. In turn, feeling being related to objects can reduce loneliness. When college students were reminded of a time they’d been excluded socially, they made it up by exaggerating their number of friends on social media - unless they were first given tasks that caused them to interact with their phone as if it had human qualities. The phone apparently stood in for real friends.

At other times, we personify products in an effort to understand them. One study found that three in four respondents shouted at their computer and the more their computer gave them problems, the more likely they were to report that it had “its own beliefs and desires”.

When we personify products, they become harder to cast off. After being asked to evaluate their car’s personality, people were less likely to say they intended to replace it soon. And personifying objects is associated with a tendency to hoard.

So how do people assign characteristics to an object? In part, we rely on looks. On humans, wide faces are associated with dominance. Similarly, people rated cars, clocks, and watches with wide faces as more dominant looking than narrow-faced ones and preferred them. An analysis of car sales in Germany found that cars with grilles that were upturned like smiles and headlights like narrowed eyes sold best. The purchasers saw these features as increasing a car’s friendliness and aggressiveness, respectively.

It’s little wonder so many companies use mascots to bring brands to life. A classification of 1,151 brand characters found symbols that were human or humanlike to be widespread: People were most popular, accounting for 21 percent of mascots, followed by birds, domesticated animals, wild animals, and various plants.

Personifying products and brands can backfire, however. When a coffee maker was personified in an ad (“I am Aroma” versus just “Aroma”), men, but not women, felt betrayed by increases in its price. Now that speech- enabled coffee makers are on the market, maybe the machines can sweet-talk their way back into men’s hearts.

【小题1】Why would the son of an app developer in Paragraph 1 try to talk to cup mats?
A.Because he recognizes everything as being interactive.
B.Because he believes the cup mats have talked to him,
C.Because he wants to repeat the experience with Alexa.
D.Because he has strong interests in making conversation.
【小题2】People are most likely to personify things when______.
A.they lack real life friends and are not able to make any
B.they find it hard to understand other people around them
C.they feel lonely and are aware of a desire for interaction
D.they become extremely angry with a certain product
【小题3】Which of the following is true regarding the result of personifying products?
A.Dominant-looking cars sell best because we find them friendlier.
B.We find it harder to get rid of the things that we once personified.
C.Products with certain features are more likely to be personified.
D.We prefer good-looking products and are more likely to buy them.
【小题4】Which of the following can probably make the most popular brand mascot according to the passage?
A.A good-looking dog.
B.Sunflowers.
C.Hello Kitty,
D.Super Mario Brothers.

Most of us marry creativity to our concept of self either we're "creative" or we aren't much of a middle ground. "I'm just not a creative person!” a frustrated student might say in art class, while another might blame her talent at painting for her difficulties in math, giving a comment such as, “I’m very right-brained."

Dr. Pillay, a tech entrepreneur and an assistant professor at Harvard University, has been challenging these ideas. He believes that the key to unlocking your creative potential is to ignore the traditional advice that urges you to “believe in yourself.” In fact, you should do the opposite: Believe you are someone else.

Dr. Pillay points to a 2016 study demonstrating the impact of stereotypes on one's behavior. The authors, educational psychologists Denis Dumas and Kevin Dunbar, divided their college student subjects into three groups, instructing the members of one to think of themselves as "romantic poets" and the members of another to imagine they were "serious librarians" (the third group was the control). The researchers then presented all the participants with ten ordinary objects, including a fork, a carrot, and a pair of pants, and asked them to come up with as many different uses as possible for each one. Those who were asked to imagine themselves as romantic poets came up with the widest range of ideas, whereas those in the serious-librarian group had the fewest. Meanwhile, the researchers found only small differences in students' creativity levels across academic majors.

These results suggest that creativity is not a fixed individual characteristic but a malleable product of context and perspective, as long as he or she feels like a creative person. Dr. Pillay argues that, besides identifying yourself as creative, taking the bold, creative step of imagining you are somebody else is even more powerful. So, wish you were more creative? Just pretend!

【小题1】Who is more likely to unlock his creative potential?
A.A physics major who imagines himself a writer.
B.A math major who always believes in himself.
C.An art major who has trouble in math.
D.A history major who always dismisses conventional advice.
【小题2】What is the purpose of the study mentioned in pagragrph3?
A.To test the creativity of the college students.
B.To show the stereotypes of the college students.
C.To prove the influence of stereotypes on one's behavior
D.To prove difference of creativity between students.
【小题3】What does the underlined word in the last paragraph probably means?
A.StableB.ChangeableC.PredicableD.Sustainable
【小题4】What does Dr. Pillay may agree with?
A.If we think of ourself as creative, then we might be really creative
B.A student who doesn’t do well in art class is not creative.
C.Right brain determines whether a person is creative or not.
D.There is no doubt that we are either creative or not.

A new study has found that experiencing nature, such as taking a walk in a park or even just viewing photos of a natural setting, encourages healthier food choices.

“We found that exposure to nature increases the importance that people attach to health compared to taste or other properties when making food choices,” explained Maria Langlois, assistant professor at Southern Methodist University and first author of the study.

Gathering evidence from hundreds of participants from five different studies across three countries over seven years, Langlois examined the food choices made after both real-world and virtual experiences of nature. In the first study conducted in France, participants took a twenty-minute long walk through either a large green park or the city, taking photos along the way. Afterwards, they could choose what they wanted to eat from a snack buffet. Those who walked in nature ate healthier snacks compared to the urban city walkers.

But was it the nature or the photo that did the trick? The researchers moved online, and took on more participants. One group were shown a photo of a hotel room with a window view of a natural setting while the other group had a window view of an urban setting. A third control group had no window view — they had closed curtains. Those exposed to “nature” in this way were found to make healthier food choices compared to both the control and urban groups. “By including a control condition in our work, this research shows that it is not exposure to urban environments that is driving unhealthy food choices, but really exposure to natural environments that is driving healthier food choices,” said Langlois.

With almost 70% of the world’s population expected to live in urbanized areas by 2050, this research could provide urban planners important insight into the health implications of their designs. It is also hoped that highlighting benefits of nature may promote environmental conservation efforts as people realize, we need nature.

【小题1】What is Maria Langlois’s study mainly about?
A.The impact of nature on physical exercise.
B.The influence of nature on food choices.
C.The effect of urban environments on health.
D.The comparison of real and virtual experiences.
【小题2】What can we know from the 7-year study?
A.Participants used to take a walk after meals.
B.Participants walked 20 minutes daily before meals.
C.Participants chose healthy food after walking in nature.
D.Participants had fewer food choices when walking in the city.
【小题3】How did the researchers mainly conduct the further study in paragraph 4?
A.By giving reasons.B.By doing interviews.
C.By taking quotations.D.By making classifications.
【小题4】What would urban planners do for future cities?
A.To build more parks.B.To dig more tunnels.
C.To widen the lanes.D.To construct high-rise buildings.

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