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WHEN JANE AUSTEN’S first novel Sense and Sensibility was published in 1811, the title page simply read. ‘A Novel. In Three Volumes. By a Lady’. What could be greater justice than the fact that on her 200th death anniversary, that same anonymous lady gets her very own bank note? Austen is only the third writer to grace an English note (following William Shakespeare and Charles Dickens) and the first woman writer to do so. And really, no one can be unhappy with the honour.

When Austen died at 41, on June 18th, 1817, her profession as a writer did not make it to her epitaph. Her brother Henry chose instead to focus on her ‘charity, devotion, faith and purity’. While she never got to embrace the title of an author when she was alive, death has ensured her legacy. Her books have been translated into 40 languages and Pride and Prejudice itself has sold over 20 million copies. If her epitaph were to be written today, we could, perhaps, borrow from Virginia Woolf who wrote in The TLS of 1913, “More than any other novelist she fills every inch of her canvas with observation, fills every sentence with meaning, stuffs up every chink of the fabric until each novel is a little living world, from which you cannot break off a scene or even a sentence without bleeding it of some of its life. Her characters are so lively and vivid that they have the power to move out of the scenes in which she placed them into other moods and circumstances.”

The greatness of Austen is not only that she created the standard example of the modern novel, but that she continues to be relevant. Her novels have been endlessly adapted and modified because they still make sense today, because they can explain current sensibilities. Her characters can easily move out of London or Pemberley or Mansfield Park and be placed in Delhi or Shanghai or Beijing. Indianise the names, and we can all create our own comedy of manners. Mrs Bennet, the mimsy busybody, could easily be Mrs Batra, your Punjabi neighbour with an axe to grind and daughters to wed. Emma Woodhouse, the self-absorbed, privileged young lady could be Aisha of south Bombay, whose artifice overwhelms her potential. Mr Darcy could be your Mr Dasgupta, the dignified Bengali bachelor whose silence will be misunderstood as snobbery.

A fascinating study of Austen’s novels in facts, figures and charts published in The Guardian brings to light the world she knew and the only world she wrote about. All her characters(in her six novels) are independently wealthy who have no professions. Balls and picnics feature in all of her books. Evenings and afternoons are spent playing cards. And if romance is the base of her novels, then elopement is also a must. The servants speak no lines. The only historic event of the time that gets a mention is the Napoleonic War(1803-1815). The Industrial Revolution and French Revolution are not mentioned at all. The lovers will marry by the end.

Even if the plots of her six novels are simple enough, the success of Austen is her singular wit. It is a cleverness born from immediate observation but one which is universal in nature. She says it well in Northanger Abbey. ‘The person, be it gentleman or lady, who has not pleasure in a good novel, must be extremely stupid.’

Two hundred years after her death, you have to be a fool to not enjoy her novels.

【小题1】What can we learn from the fact that Jane Austen’s photo on the English bank note?
A.To honor her publishing the first novel Sense and Sensibility.
B.To honor the most well-known writer in English literature.
C.To honor her outstanding contributions to English literature.
D.To show no one can envy her for her success.
【小题2】The author quotes Virginia Woolf’s comment mainly to show that ________.
A.Jane Austen was also fond of painting on the canvas.
B.Jane Austen lived in her own little world.
C.Jane Austen’s works possess superb writing techniques.
D.Jane Austen’s characters can move out of scenes magically.
【小题3】Which of the following statements about Austen’s works is NOT true?
A.Her major characters have no professions, so life is hard for them.
B.Jane Austen’s works are mainly based on her own living experiences.
C.Life is casual and colorful for characters in her works.
D.Few historic events are mentioned in her works.
【小题4】What is mainly conveyed in the passage?
A.To laugh at those who don’t enjoy Jane Austin’s works.
B.To introduce Jane Austin’s main works.
C.To analyse Jane Austin’s writing technique.
D.To honor Jane Austin as an evergreen storyteller.
19-20高二下·江苏苏州·期中
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The first set of Chinese stories presented in English scripts (剧本) , titled Stories of China: Performed in English, was officially published by Foreign Languages Press. Planned by the New Channel International Education Group with the participation of playwrights from China, the United Kingdom and the United States, the book provides a new way for young people to learn English while inheriting (继承) and spreading Chinese culture.

The book contains 20 English scripts in novel formats covering a wide range of subjects. Unlike the most common English scripts for young readers on the market which are based on adaptations of European and American stories, those scripts presented in this book are unique for being based on classic Chinese stories, re-adapted and written in English. The book is divided into three grades in terms of grammar and vocabulary difficulty, making it suitable for young English learners from primary schools to junior and high schools.

All the scripts in the book are written by top playwrights with elegant, pure and vivid language. The scripts are provided with a summary of the story in both Chinese and English, so that readers can fully understand the plot as well as the history and culture behind it. Readers can not only improve their English skills through immersive (沉浸式的) reading and performance but also appreciate Chinese culture.

Hu Min, English education expert and founder of the New Channel, said the combination of traditional Chinese culture and English teaching has become a trend, guiding young people to tell Chinese stories to the world with their own wisdom and deep Chinese cultural heritage. The New Channel will offer special courses on Stories of China: Performed in English in its many schools across the country, and cooperate with primary and secondary schools in Beijing, Shanghai to offer English drama courses on a trial basis. Hu believes the courses will set off a new wave of enthusiastic learning among young people.

【小题1】Why was Stories of China: Performed in English published?
A.To offer English drama courses on a trial basis.
B.To make foreign students enjoy Chinese culture.
C.To advertise some of the top playwrights in China.
D.To improve English learning and inherit Chinese culture.
【小题2】What do we know about the book?
A.It’s been popular in various schools.
B.It introduces classic Chinese stories.
C.It’s been published by a foreign press.
D.It stands out for its unique writing style.
【小题3】What’s Hu Min’s attitude towards the courses to be offered?
A.Doubtful.B.Expectant.C.Objective.D.Conservative.
【小题4】In which section of a magazine might the text appear?
A.Business.B.Lifestyle.C.Culture.D.Politics.

In Darrel Gregory’s encouraging picture book I’m Not Very Good at It, a mother suggests a means for her daughter to handle her low self-esteem.

The story centers on a downcast girl, who, when asked to do anything, tells herself, “Okay, but I’m not very good at it.” These words are voiced aloud whether she’s making a birthday card, baking, or helping her mother with a bird house. When her mother asks her why she responds in this manner, the girl replies, “Because that’s what my brain said.” Through a series of playful explanations, her mother advises her to listen to her heart instead. After a few attempts at practicing this new habit, the girl realizes that being good at something----or not!----is not as important as trying.

The story’s repetitive structure emphasizes its therapeutic message about stopping self-doubting talk and about practicing stillness. Though perfectionism and fear of failure are possible explanations for the girl’s behavior, the specific reasons and context for her self-doubt are absent. It is a depersonalized story whose heroine is generic, nameless, and tough to connect with. She is preschool-aged, but is asked to possess great self-awareness about her own personality and to shift her own features----it happens too early for a preschool-aged child, if not idealistic.

Ari Miller’s soft illustrations(插图) make the text vivid. Their detailed home scenes portray the girl’s activities. They are faithful depictions of the story that track the girl’s emotional change through subtle facial expressions. The girl’s mother is left out of these images, though her advice and support is one of the main features of the story.

Sincere in its description of growing past self-doubt, the picture book I’m Not Very Good At It encourages positive outlooks.

【小题1】What type of writing is the text?
A.A reportB.An advertisement.
C.A review.D.An announcement.
【小题2】The word “downcast” in second paragraph is closest in meaning to _____________.
A.confidentB.shyC.depressedD.courageous
【小题3】What can we learn about the story from the passage?
A.The girl follows her heart and grows stronger with few attempts.
B.The mother encourages her daughter to build up self-esteem.
C.Ari Miller’s illustrations describe the mother’s activities.
D.The story just centers on how to practice stillness.
【小题4】What’s the writer’s attitude towards Darrel Gregory’s book?
A.Indifferent.B.Supportive.C.Negative.D.Critical.

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