Zanhua Wei, known as “the garden on the head”, is a kind of flower headwear 【小题1】 (wear) by local women in Xunpu, a fishing village in Quanzhou, Fujian Province.

The production of it needs to go through multiple 【小题2】 (process), including cutting, laying, inlaying, coloring and so on. Main materials for making hair-pinned flowers are metal wires, jewelry stones and colored pearls, 【小题3】 (delicate) combined to form a variety of flower patterns.

Opinions vary about the origin of Zanhua Wei, with some saying 【小题4】 originated from the custom of Central Asian women wearing flowers and was brought back through the maritime Silk Road during the Song and Yuan dynasties, 【小题5】 Quanzhou served as one of the few leading trading ports on the southeastern coast of China. The ships carried spices and all kinds of 【小题6】 (value) goods to Quanzhou for trade, notably countless jewelry stones and pearls.

In 2008, the custom【小题7】 (include) in the national intangible cultural heritage list. Besides【小题8】 (use) as hair accessories (配饰), head-pinned flowers play 【小题9】 undeniable role in traditional Chinese culture. Zanhua Wei carries the emotions and memories of the fisherman’s family, reflecting the diligence and simplicity of Xunpu, as well as the【小题10】 (expect) for a better life.

In recent months, the China Grand Canal Museum in Yangzhou, set 【小题1】(present) the history and culture of the Grand Canal, has attracted a great number of visitors.【小题2】the museum providing 15, 000 tickets each day, visitors can book in advance. They usually sell out on weekends, making the museum 【小题3】 popular landmark in East China. It takes only 20 minutes to get to the museum by taxi from the Yangzhoudong Railway Station. “My passion【小题4】 (arouse) by those passengers, so I took my children to the museum too. I never knew why it had such great charm 【小题5】 I got there.” said one passager.

The museum, 【小题6】 appearance resembles a giant ship, covers 80,000 square meters and houses 14 exhibition halls. While telling its story, the museum puts an 【小题7】 (emphasize) on improving visitors’ experience. Young people can take part in a live-action role-play game designed by the museum, transporting them back to the Ming Dynasty, and【小题8】 (immerse) them in an amazing world. “It is 【小题9】 (true) a very meaningful experience,” said a visitor surnamed Chen, “This is not the first time that I 【小题10】(attract).”

The video series Escape from the British Museum(《逃出大英博物馆》) released on Sunday has drawn online attention.

【小题1】(direct) by two Chinese vloggers, the video series tells the story of a Chinese cultural relic escaping from the British Museum 【小题2】looking for a way to return to its homeland. Viewers were 【小题3】(extreme) moved by a scene where the little teapot exclaims “Such a big cabinet is shared only by two people” on 【小题4】(arrive) at the place of the journalist and bis friend.

The videos 【小题5】(encourage) by a netizen, who suggested making【小题6】video showing Chinese cultural relics returning home from overseas.

According to the two vloggers, they had consulted(查阅) a lot of information and went to the UK【小题7】(shoot).They said the plots(情节) were based on historic facts and tried to focus attention【小题8】overseas Chinese cultural relics held abroad.

Data published by the UNSCEO shows that about 1.6 million Chinese cultural relics were stolen from China and collected by 47 museums around the world, among【小题9】the British Museum has the 【小题10】(large) collection, at about 23,000 pieces. Many were stolen from the court of the Qing Dynasty during the Siege of Beijing by the Eight-Nation Alliance in 1900.