The Notre Dame (巴黎圣母院）fire has been put out, but its spire (尖顶）and a large portion of its wooden roof 【小题1】 (damage). The terrible destruction causes a sudden sharp pain to people around the world. "What a pity that we cannot see the damaged parts of the wonder anymore.”

But 【小题2】 good news is that there is at least one way of seeing them, namely through a video game 【小题3】 (call) Assassin's Creed: Unity. In this game, the player can travel to one city after another and enter the buildings exactly like what they are in 【小题4】 (real), and see Notre Dame as it was before the fire. Further, with virtual (虚拟的) reality technology，【小题5】 is already quite mature, one can even look around the undamaged Notre Dame as if it is still there. Maybe digital (数字的) technology could help to 【小题6】 (well) protect architectural cultural heritage than ever before.

The idea of making digital 【小题7】 (model) of ancient buildings to save their data 【小题8】 (date) back to the 1990s and the necessary technology has continued to advance since then. 【小题9】 scanning the ancient buildings with lasers, building 3D models with multiple images, as well as measuring everything precisely, engineers can make a copy as accurate as the real one.

As computers and smartphones are hugely popular, the digital model has great useful value. It allows tourists 【小题10】 (feel) the cultural relics without touching them.

A stuffed toy named “Happy Loong” from Gansu Provincial Museum has recently distinguished 【小题1】 (it) from conventional souvenirs and captured the hearts of tourists.

Modeled 【小题2】 a Ming Dynasty gold decoration in the shape of a loong, or Chinese dragon, over 1, 000 of these chubby (圆胖的) 【小题3】 smiling loong toys were sold in the first week after it hit the market earlier this year.

Besides “Happy Loong”, the museum sells stuffed toys 【小题4】 (inspire) by the Dunhuang Flying Apsaras and the bronze galloping (飞驰的) horse from the Eastern Han Dynasty, 【小题5】 combine rich history with the appetite of Generation-Z.

This innovative approach to museum souvenirs reflects 【小题6】 broader trend of making cultural products appealing to young Chinese museum-goers. The Palace Museum’s online store, for instance, 【小题7】 (offer) playful and humorous souvenirs featuring emperors in Chinese history, receiving positive reviews from young visitors.

The success of these innovative souvenirs lies in the ability 【小题8】 (meet) the demands of young people seeking relaxation and individuality. However, designing truly 【小题9】 (create) cultural product requires a good knowledge of cultural relics.

Looking ahead, the museum souvenir market in China is expected to continue growing, presenting abundant 【小题10】 (opportunity) for designers.

The world’s biggest kite, shaped like a dragon and【小题1】 (stretch) over 280meters, flew high on Sunday in the skies over the Chinese city of Weifang. The city in the eastern province of Shandong is 【小题2】 birthplace of kites and home to the Weifang International Kite Festival since 1984.

The highlight of this year’s edition was the “Chinese Giant Dragon”, four meters in【小题3】 (high) and 3.6 meters in width. The kite has the head of a dragon and the body of a centipede(蜈蚣) and is the【小题4】(wide) of its kind in the world. “It took 28 experienced workers 48 days to design and complete the kite.55 people 【小题5】 (require) to fly it,” said Zhang Huagang, general manager of Weifang Tianshun Kite Productions and one of the kite makers.

According to Zhang, the giant dragon kite, using traditional Chinese techniques, “【小题6】 (refer) to our nation’s wishes for prosperity and fortune”. The kite festival, now in its 38th edition, opened on Friday【小题7】 the presence of hundreds of amateurs and professionals,【小题8】 flooded to the city from near and far to display their creations at the event.

This year’s festival features a record 1,628 kites in 【小题9】(vary) forms by 500 participants 【小题10】 (divide) into 188 teams from over 31 provinces and regions from across the country.